Godzilla Minus One (2023) — Movie Review
- Dec 4, 2023
Godzilla, the iconic giant lizard, strides confidently into his 70th anniversary with "Godzilla Minus One," a new chapter in the Toho studio franchise. Set in post-World War II Japan, the film revisits the familiar theme of the country grappling with the aftermath of war, only to confront the massive, destruction-hungry Godzilla.
The story begins with Godzilla's devastating arrival during the war on an island where Koichi (played by Ryunosuke Kamiki), a kamikaze pilot, is in the midst of deserting. He narrowly escapes the monster's wrath, only to be consumed by guilt and shame. Koichi finds himself in war-torn Tokyo, where he forms an unconventional family with Noriko (Minami Hamabe), a woman caring for a baby that's not hers. Together, they epitomize the resilience of post-war survivors, cohabiting without marriage, bound by their shared experiences.
This new semblance of life is soon disrupted as Godzilla reemerges, wreaking havoc on the city with his signature destructive flair. The monster, with his spiky exterior and dead-eyed gaze, becomes a symbol of relentless catastrophe. His attacks are brutal and precise, whether he’s flinging humans and train cars with his snap-and-toss move or unleashing his potent thermonuclear beam, visually contrasting with the high-resolution blue ray disc.
Director and writer Takashi Yamazaki skillfully blends crowds and special effects, painting Godzilla's destruction with a somber tone. This approach aligns well with the film's deeper narrative, where the citizens of Japan unite in their criticism of the country's wartime actions and their disregard for human life.
While the film adheres to some of the expected tropes of Godzilla movies, it manages to temper the usual blockbuster excitement with a sense of gravity. The heroic journey presented may be somewhat predictable, yet the film persistently challenges the lighter elements of the Godzilla genre with its more serious undertones, reflecting the weight of historical context and moral introspection.
10 / 10
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