Maude Apatow's 'Poetic License': An Intergenerational Journey

Maude Apatow's 'Poetic License' marks her first foray into directing with an intergenerational coming-of-age film centered around Liz (Leslie Mann), a middle-aged woman thrust into the world of two college-aged students. When her husband (played by Method Man) takes up a professorship at a prestigious university, Liz decides to take a poetry class to help pass the time, as her daughter Dora (Nico Parker) embarks on her final year of high school.

In this unfamiliar town full of strangers, Liz struggles to find her footing while her husband and daughter easily adapt and form new friendships. Liz's life takes an unexpected turn when she meets Sam (Andrew Barth Feldman) and Ari (Cooper Hoffman) in her poetry class, becoming an object of romantic interest for both of them. However, Liz remains blissfully unaware of their feelings and their growing competition for her interest, as she's embroiled in her own anxieties concerning her daughter's growing independence.

Formerly a couples' therapist, Liz uncovers the codependent relationship between Ari and Sam, and their interactions intrigue her. Ari leads a solitary life in a luxurious apartment, with an ambition only to have Sam move in with him. Sam, on the other hand, prefers campus dorm life and works towards an economics degree. He also has a girlfriend (Maisy Stella), whose very existence irritates Ari.

Regardless of their differences, both boys value Liz's advice and approval. In return, Liz invests her time into guiding them, re-experiencing her younger days and serving as a maternal figure. Despite her self-doubt, she provides them valuable advice.

Unfortunately, 'Poetic License' lacks a clear direction, often darting between scenes without offering narrative depth or emotional exploration. Issues such as poetry and economics, significant to the narrative's structure, lack depth and substantial explanation. Even the character development leaves something to be desired. However, the film shines through its exploration of relationships between the main characters, Ari, Sam, Liz, and Dora.

For a first-time director, Apatow demonstrates potential, particularly in the touching scenes between Mann and Parker. The very earnest performances from the cast lend a heartfelt note to the movie. Yet, the story's lack of depth makes it a forgettable viewing experience soon after the closing credits.