Netflix's "The Abandons": An Expected Wild West Drama

Netflix’s latest series, “The Abandons,” features a riveting tale set in the 1850s. Created by Kurt “Sons of Anarchy” Sutter, this old-school narrative stars Gillian Anderson and Lena Headey as leaders of opposing clans, engaged in a fierce rivalry similar to the historic Hatfields and McCoys feud.

Despite the enticing premise and the nostalgic references to Sutter’s signature outlaw-infused plotlines, reviewers have criticized the series for lackluster pacing, struggles to maintain engagement over its seven episodes, and a disjointed narrative. While the show is set in Angel’s Ridge, Oregon, and boasts powerful performances from its leading ladies, it falls short on substance and flair, leaving comparisons to the iconic “Deadwood” series feeling hollow.

The storyline transports viewers to a mining town run by the Van Ness family, led by Constance (Anderson). As their business dwindles, they see salvation in the silver deposits of Jasper Hollow. Unfortunately, the land is inhabited by a resilient, Irish settler Fiona Nolan (Headey) and her adopted family, sparking a rift between the two parties.

Throughout its seven episodes, “The Abandons” captures the tension and intrigue between the warring clans. The show’s narration however takes a solemn and serious approach, which somehow undermines the dramatic premise. Pacing issues are evident, with the action scenes missing the mark and narrative progression feeling unsteady.

Though the cast is commendable, unfolding dynamics among the characters fail to uplift the material. Kids left bearing the brunt of subplots involving lovers’ tempers and colonial conflicts, deliver underwhelming performances. Lead actresses Headey and Anderson, though, manage to bring gravitas to their roles, with a few scenes offering intense confrontations.

Points for representation are awarded with deliberate incorporation of topics dealing with Native American tribes and freed Black slaves. Nevertheless, these themes feel added in and do not add any substantial depth to the plotline.

Given the abrupt end to the series and the departure of creator Sutter, the future of “The Abandons” is uncertain. Regardless, it remains noteworthy for its western tropes, flawless production design and a pioneering female-led narrative.