Unveiling "The Christophers": A Comedic Take on Legacy, Greed, and Art Forgery

The Christophers, directed by Steven Soderbergh, presents a gripping narrative filled with elements of comedy, intriguing plots of forgery, and a keen exploration of avaricious greed triggered by legacy. The film breathes life into the tale of adult children, birthed from once-renowned artist Julian Sklar, scheming to benefit from their father's fame and art.

Penned by the brilliant Ed Solomon in conjunction with Soderbergh, who share creative credits for "No Sudden Move", "Mosaic", and "Full Circle", the film paints a vivid image of two main characters, performed by Michaela Coel and Ian McKellen. Both characters provide a captivating plot as they find common ground amidst their strikingly different backgrounds.

McKellen, as Julian Sklar, embodies the stereotypical image of a veteran painter in his worn-out plaid chore coat tucked in an affluent London neighborhood. Despite having his peak decades ago, he has recently regained celebrity status following his notorious critique of poor art on a TV reality contest named Art Fight. This newfound fame has been his lifeline, enabling him to earn income via a Cameo-like platform while also challenging the commercialized art world through his unconventional methods such as the "Sidewalk Salon".

Rumors float among art collectors about a third unfinished series of Julian's prized artworks "The Christophers". Sensing a chance to benefit from their father's legacy, Julian's children, referred to as "buzzard Barnaby" and "the hyena Sally", seek the service of Lori Butler (Coel), who possesses a unique skill of copying artwork even with the most intricate details. Lori's task? To infiltrate Julian's home as an assistant, complete the unfinished pieces of art, and prepare them for a hefty sale after Julian's passing.

Directed by Soderbergh with his renowned loose, playful style, the film follows an unanticipated plot full of suspense and surprises. The plot thickens as Lori enters Julian's home, kick-starting a series of events that will soon reveal hidden agendas, blackmail, betrayal, and cunning plans.

The film consistently presents an engaging play of power, with a comedic relief offered by the calculating duo of Sally and Barnaby, played by Jessica Gunning and James Corden. Despite their sinister plans, an implicit understanding slowly develops between Lori and Julian, creating a beautifully complex relationship.

The film concludes with profound revelations from Julian that touch the heart. Soderbergh's fine directing skills shine through the entire film as evident in the magnificent performances of McKellen and Coel, who beautifully capture the essence of their characters. Although "The Christophers" may not be on Soderbergh's top tier, it excellently bats about ideas concerning art, commerce, ownership, and legacy and features superb leads that make the narrative intriguingly compelling.