Yorgos Lanthimos is known for his fascination with showcasing extreme human behavior within immaculate environments, evident in films like "Dogtooth," "The Lobster," and "The Favourite." This juxtaposition reaches new heights in his latest and arguably best film to date, "Poor Things." The film presents a rich tapestry of bizarre performances, dialogue, and design, all the while exploring the awkward journey of forming genuine human connections.

Set in Victorian London, "Poor Things" centers around Bella Baxter, played by Emma Stone, who resides in a tastefully decorated townhouse with her father figure and mad scientist, Dr. Godwin Baxter, portrayed by Willem Dafoe. Dafoe's Godwin exudes a calm demeanor despite his disfigured appearance. Bella, though physically mature, initially displays the mannerisms of a toddler, illustrating her development process throughout the film.

Godwin is not the only man trying to shape Bella’s life. Another significant character, Max McCandles (Ramy Youssef), enters as Godwin's student but soon falls in love with Bella, bringing warmth and sanity into their eccentric world. However, his role is overshadowed by Mark Ruffalo’s character, Duncan Wedderburn, a charming yet ridiculous figure who takes Bella on a hedonistic world tour.

Emma Stone delivers a lifetime performance as Bella, skillfully transitioning from a childlike state to a woman in full command of her sexuality. Her captivating performance, marked by precise comedic timing and emotional depth, quickly endears Bella to the audience. Mark Ruffalo, in contrast, delivers a surprisingly humorous and multifaceted performance, depicting both charm and absurdity.

The film's supporting cast, including Jerrod Carmichael and Hanna Schygulla, add depth and humor to Bella's journey towards self-discovery. Kathryn Hunter, in a minor yet impactful role, adds a unique flavor to the film’s diverse character palette.

Tony McNamara's screenplay, adapted from Alasdair Gray's novel, shines through its unique language and rhythm. The dialogue evolves alongside Bella, becoming more intricate as she grows in intellect, perfectly captured by Stone's performance. The script maintains a witty edge, distinct from McNamara’s work in "The Favourite."

Robbie Ryan’s cinematography brings the film's grandeur to life with stunning visuals. The transition from grainy black and white to rich color palettes mirrors Bella’s personal growth, creating a visually enchanting experience. Costume designer Holly Waddington tells Bella’s story through evolving fashion, while the production design by Shona Heath and James Price breathes life into each setting with imaginative reinventions of historical imagery.

At its heart, "Poor Things" is about Bella’s journey to find her true self and navigate the complexities of the outside world. The film's technical brilliance is secondary to the emotional investment in Bella’s character. The film, much like a modern twist on a classic Barbie tale, stands out as one of the year's best films, capturing both the imagination and the heart.